SKU: 59651819893

Maton Guitars Solid Road Series SRS-808 - 16563

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Description

Maton Guitars Solid Road Series SRS-808 - 16563Maton Guitars Solid Road Series SRS 808 16563 The Maton SRS 808 incorporates solid Victorian Blackwood back and sides and a Western Red Cedar top. The SRS 808 has simple appointments, and combines the warm, full tones of Blackwood with the top end sparkle of Cedar. A forward shifting of the X braces and the shifting of scallop peaks to nodal points around the soundboard help to enhance the vibration of the top. The shifting of the X braces also allows

Maton Guitars Solid Road Series SRS-808 - 16563

The Maton SRS-808 incorporates solid Victorian Blackwood back and sides and a Western Red Cedar top. The SRS-808 has simple appointments, and combines the warm, full tones of Blackwood with the top end sparkle of Cedar.

A forward shifting of the X braces and the shifting of scallop peaks to nodal points around the soundboard help to enhance the vibration of the top. The shifting of the X braces also allows the inclusion of a second, parallel tone bar which allows the scalloping of both tone bars, and spreads the load while reducing mass.
 
Adjusted bracing heights as well as a locked 15 foot radius for the arch of the back, gave the plate resonance separation they were looking for between top and back.
We now have the full, open, lower frequency response as well as a crisp, well defined treble response.
 
This model is very popular with fingerstyle players who work with a lighter string attack, suited to the responsive Cedar soundboard for excellent dynamics with subtle playing. Yet with the standard factory setup, the SRS-808 is not shy with a flat pick!

The Maton AP5-Pro Electronics

In its 5th generation, the AP5 Pro features an internal Microphone and 6-Piezo bridge input, with controls that allow for blending of both microphone and piezo levels prior to sending the actively combined signals through the well engineered pre-amp.

The highly selective cardioid microphone system allows for much greater microphone level before feedback in live environments. This upgraded AP5-Pro microphone is direct mounted to the pre-amp casing with an adjustable arm, which permits easy final tweaking of microphone position to suit the individual artist's playing style.

Using the ‘Sweep-able Mid’ controls. Mid-range is sweep-able from 600Hz to 2.4kHz and can be cut or boosted within this range. As a general rule we start out with all settings ‘flat’ then alter them to achieve the desired tone & presence based on the venue or recording environment. For example, an open, natural sound can be achieved by setting the frequency control at 1.4khz and the boost/cut control at 5db. Alternatively, for a ‘thick’ lead sound boost your Mid's by 5db and set the frequency dial at 1.7kh.


Specifications:

  • Model: SRS808
  • Body Shape: 808
  • Soundboard: "A" Grade Western Red Cedar
  • Back and Sides: Blackwood
  • Neck: Queensland Maple
  • Fingerboard & Bridge: Streaky Ebony
  • Bracing: Scalloped Maton X
  • Face Inlay/Rosette: Sapele Ring
  • Sound Hole: 95mm
  • Inner Binding: None
  • Outer Binding: Black
  • Scale Length: 64.77cm (25.5")
  • Headstock Veneer: Standard w/ 2mm Sapele Veneer
  • Fretwire: Dunlop 6260
  • Number of Frets: 21
  • Fingerboard Radius: 304.8mm (12")
  • Nut Width: 44.1mm (1.736" - 1 47/64")
  • 14th Fret: Width 55mm (2.165" - 2 11/64")
  • Fingerboard Inlays: 6mm Pearl Dots
  • Back & Sides Finish: Natural Satin
  • Top Finish: Natural Satin
  • Bridge Pins: Ivory ABS
  • Machine Heads: Chrome Grover RotoMatic
  • Pickguard: Tortoiseshell with Gold M
  • End Pin/Strap: Chrome
  • Nut & Saddle: Bone
  • Case: Standard Maton Hardshell Case
  • Pickup: AP5-Pro 
  • Strings: Elixir Nanoweb Phosphor Bronze 12-53
  • Serial Number: 27808
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SKU: 59651819893

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Denise Williams
Waukegan, US
★★★★★ 5
Five Stars
Format: Paperback
Thanks!
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Reviewed in the United States on April 10, 2018
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luvgrdane
Los Angeles, US
★★★★★ 4
Magic City poetry series
Format: Paperback
This book was recommended to me to add to my poetry collection. It is a book that you can pick up and read a few poems and then put down to try to think of the meaning. It is written very well. Just takes a bit of thinking to understand.
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Reviewed in the United States on February 25, 2013
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Lee Ann Roripaugh
Port Orchard, US
★★★★★ 5
Down Home Blues
Format: Paperback
Magic City remains, perhaps, my favorite volume out of Yusef Komunyakaa's distinguished body of work. With his characteristic blues and jazz-inflected lyricism, Komunyakaa revisits the harrowing violence and racism of the deep south as viewed through a piercingly translucent prism of personal memory. The poems making up this volume are in many respects a poetry of witness, and the eyes through which which this gritty psychic landscape is revealed to the reader penetrate various scenes of troubled family life, poverty, violence and racism with a razor-sharp clarity rife with anger, sorrow, and beauty. Ranging in age from childhood to young adulthood, the speakers, or witnesses, in these poems see through eyes that are simultaneously innocent and jaded, naive and urbane, unflinchingly tough and lyrically sensitive. These are unforgettable poems. Like good blues, they cut right down to the bone.
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Reviewed in the United States on April 21, 2002
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Silvia
San Leandro, US
★★★★★ 4
Four Stars
Format: Paperback
took a little longer than I expected but overall good quality for a used book .
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Reviewed in the United States on September 24, 2014
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R. H. White
Belleville, US
★★★★★ 4
Unblinking portrait of a childhood in the Jim Crow South
Format: Paperback
Komunyakaa, who won the Pulitzer Prize for his Neon Vernacular, here writes about his childhood in a Louisiana town. The poems are poignant but unsentimental: the child's world has a certain kind of innocence but is saturated with violence, from the Klan to his father's abuse of his mother to the pragmatic violence of slaughtering a hog. One of the more exciting elements of this book is Komunyakaa's skill in combining realistic description with startling and even puzzlingly abstract language.
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Reviewed in the United States on February 26, 2000

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