SKU: 77825642720

Forté Icon I34 Acute Care 165kg Medium Care Medical Mattresses

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Description

Forté Icon I34 Acute Care 165kg Medium Care Medical MattressesMEDICAL FOAM TECHNOLGY Foams used by Fort in the Icon I34 mattress are specifically formulated for use within high humidity applications, typical within Hospital applications where the mattress has low rest periods and is fitted with Moisture Vapour Permeable Covers. Humidity treatment ensures that the structural integrity of the foams remains within conditions that would otherwise have a significant degrading effect on foam performance. It also

MEDICAL FOAM TECHNOLGY

Foams used by Forté in the Icon I34 mattress are specifically formulated for use within high humidity applications, typical within Hospital applications where the mattress has low rest periods and is fitted with Moisture Vapour Permeable Covers. ‘Humidity’ treatment ensures that the structural integrity of the foams remains within conditions that would otherwise have a significant degrading effect on foam performance. It also ensures postural support is maintained for comfort and prevents excessive pressure forces because of foam collapse. It is crucial to pressure injury prevention that the foam maintains its support to prevent a ‘bottoming out’ effect and ensure immersion and envelopment.

Foams are also treated with Eversheild Anti-Microbial protection to prevent the growth of mould and bacteria. Maintaining healthy conditions within the foams reduces risk of infection control, cross patient contamination and mould.

Foams are individually sourced and selected as raw materials by Forté Healthcare from verified manufacturers within Australia, Europe and United States for guaranteed compliance with International standards. Forté provides complete supply chain transparency, benefiting the user by ensuring ultimate governance on quality and raw material safety especially necessary as Medical Mattresses are used in very close physical proximity to vulnerable users.

THE CLASSIC

The Icon I34 mattress is one of the original ‘classic’ mattresses within the Forté range. Initially, It was designed specifically for NSW Health – meeting all their particular standards and requirements. The Icon I34 mattress is now being used widely in hospitals around Australia and has been approved for use by QLD Health, NSW Health, NT Health & SWEP Victoria. The cover on the Icon I34 mattress is often upgraded to the Premiflex covers for these applications.

The Icon I34 is a classic mattress in design, age, and level of care. A traditional three-layered graded density static foam mattress with a visco-elastic memory foam immersion interface layer, firm strengthened sides and a polyurethane wipe-clean pressure care cover. What does set the Icon I34 apart from similar mattresses is the medical foam treatment and the Breathe ventilation in the memory foam (for enhanced breathability). In addition to these foam enhancements, all seams on the cover are high frequency welded (not sewn) for optimal infection control.

The Icon I34 mattress is designed to deliver effective pressure care for patients with a medium risk of obtaining a pressure injury. The Icon I34 has a therapeutic weight range of 40-165kg and a safe weight loading of 200kg. As such, the mattress is often used as the ‘go-to’ general ward mattress.

Australian made by Forté, the Icon I34 mattress can be customised in size to suit any bed platform. It Is important to ensure any mattress used fits the bed perfectly to prevent any risk of infection or entrapment

REACTIVE SUPPORT SURFACES; PRESSURE REDISTRIBUTING STATIC FOAM

A Reactive support surface is a powered or non-powered support surface with the capability to change its load distribution properties only in response to an applied load. Reactive support surfaces may be powered (active) or nonpowered (static). In comparison to an alternating pressure relieving mattress, reactive surfaces provide a constant low-pressure profile whereby the pressure at every contact point is reduced. The patient can be immersed and enveloped by the surface which increases the area of contact with the patient’s body and the reactive support surface.

Reactive support surfaces come in many different types including:

  • Foam – mattress composed of foam or layers of foam with different densities and shapes. For example, Forté Icon Medium Care Mattresses.

  • Air or Gel Filled – surfaces comprise air or gel-filled compartments. For example, ROHO Integrated Systems.

  • Hybrid – surface combining foam and air technology to maximise the benefits offered by both static and alternating surfaces.

  • Low air loss – some air-filled support surfaces allow air to escape through small holes. The air flows along the inside of a vapour permeable patient contact layer. This draws moisture and heat through the contact layer and away from the skin. Low air loss aids control of moisture on a patient’s skin.

  • Air-fluidised – contain sand-like particles through which air is forced. As the air is forced through the particles, they take on the properties of a liquid. The porous cover allows air to escape out of the mattress and body fluids to flow down into the support surface

“Pressure redistribution is achieved by either increasing the body surface area that comes in contact with the support surface through immersion and envelopment (to reduce concentrations of weight over bony prominences) or sequentially altering the parts of the body that bear the load, thus reducing the duration of loading at any given anatomical site”. Prevention and Treatment of Pressure Injuries: Clinical Practice Guideline. The International Guideline 2019.

Select a reactive support surface for individuals who are able to reposition themselves enough to avoid weight bearing on all areas at risk for pressure ulceration and who have a stable spine.

FIRM SIDE WALLS

The Icon I34 mattress has inbuilt firm side walls constructed of an ultra-high density foam, engineered with a profile hinge system to reduce falls risk and provide enhanced stability. Side walls significantly help reduce the effort required to transition on or off sleep surface and assist with repositioning and other tasks. Therefore side walls are important for any users with limited strength.

Inbuilt strengthened sides reduce the risk of foam compression on the mattress edge, and subsequent user ‘roll-out’. Firm, rigid edging provides structural support for transfer, ingress, and egress. Forté side walls make primary care easier and suit the use of transfer and mobility aids such as slide boards.

Forté side walls have been designed with a unique integrated hinge system to reduce tension & compression in foam when used with a profiling bed. Reducing tension aids overall mattress longevity. The hinge system allows the mattress to easily articulate for the maximum benefit of electronic bed function.

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SKU: 77825642720

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4.8 ★★★★★
Based on 26 reviews
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Verified Purchase
Tripp Moore
Lexington, US
★★★★★ 5
Visually Brilliant, Darkly Funny, and Still Uncomfortably Relevant
I rented Brazil through Amazon primarily because I’d heard it described as a dystopian sci-fi classic, but I wasn’t fully prepared for just how strange, creative, and visually dense this movie actually is. It feels like George Orwell had a stress dream after getting trapped inside a malfunctioning government office building designed by someone obsessed with ducts and paperwork. The film does an incredible job blending dark comedy, bureaucracy, paranoia, retro-futurism, and outright absurdity into something that somehow still feels coherent. The world-building is fantastic in a very grimy, claustrophobic way where technology exists everywhere but almost none of it works properly. Everything feels intentionally inefficient and overcomplicated, which makes the setting weirdly believable. Jonathan Pryce does a great job playing a character slowly unraveling under the weight of an increasingly surreal system, and Robert De Niro’s appearance is memorable despite limited screen time. The production design is honestly one of the standout elements of the entire film. Nearly every scene has some strange visual detail happening in the background that adds to the oppressive but oddly humorous atmosphere. This definitely is not a fast-paced mainstream sci-fi movie, though. The pacing can feel slow at times, and the tone swings between satire, anxiety, fantasy, and bleakness in ways that probably won’t work for everyone. It’s the kind of movie where you occasionally stop and think, “What exactly am I watching?” while still wanting to keep watching. The Amazon streaming quality itself was good with no playback issues during my rental, and the film benefits from a decent screen because there’s so much visual detail packed into the sets and cinematography. Overall, Brazil is one of those movies that feels increasingly relevant the older it gets. Strange, unsettling, funny, visually inventive, and much more layered than I expected.
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Reviewed in the United States on May 23, 2026
J
Verified Purchase
Joel Bradford
Bozeman, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
M
Verified Purchase
Mr. Watkins
Battle Creek, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
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Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
Port Orchard, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
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Verified Purchase
W.P.
Draper, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026

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