SKU: 98662835686

Friends and Enemies : A Memoir

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Friends and Enemies : A MemoirIncluded in The Times and Daily Telegraph Book of the Year round ups'Friends and Enemies is an extraordinary read showing unflinching candour from a truly remarkable woman' Elton John 'Blistering . . . shockingly candid . . . stiletto sharp memoir of the year' Daily Mail'Magnetic and magnificent . . . Amiel is superb, furious and, best of all, funny. Say what you like about her and many have but the Black Lady can write' The TimesBarbara Amiel's long

Included in The Times and Daily Telegraph Book of the Year round-ups'Friends and Enemies is an extraordinary read showing unflinching candour from a truly remarkable woman' Elton John 'Blistering . . . shockingly candid . . . stiletto-sharp memoir of the year' Daily Mail'Magnetic and magnificent . . . Amiel is superb, furious and, best of all, funny. Say what you like about her - and many have - but the Black Lady can write' The TimesBarbara Amiel's long-awaited memoir is shockingly honest, richly detailed and pulls few punches. An instinctive feminist and now a foe of feminism's political correctness, her own memoirs cover a formidable array of experiences - political, sexual, marital and material. Born in London during the Blitz, the only consistent strain in her early life was a fierce belief in her identity as a Jew even as the Jewish community disowned her and an unquestioned view that women were free to do anything in any arena they chose without any need to win society's approval. Which she very often did not. Her rise to the senior rungs of journalism began in Canada after the emigration of her family and continued in the United Kingdom on her return. With four marriages and an assorted number of beaus, some famous, some infamous (some rather young, some rather elderly), she moved through different worlds encountering problems made more intractable on occasion by her own faulty choices. It is a measure of her writing skill that she held down plum jobs for many decades in Canadian and British journalism as well as appearances in U.S. publications ranging from the Wall Street Journal to Vogue. As a writer of unabashedly libertarian views, she was derided as much for her wardrobe as for her ideas. Pilloried for years in books and television and called every conceivable name by the media, she is philosophical. 'I love fashion, sex and opera,' she once told an interviewer, 'but life would have been easier if my passions had been for train-spotting and stamp collecting.'Her life has an operatic quality with a wildly diverse cast including Elton John, Henry Kissinger, Anna Wintour, Oscar de la Renta, Princess Diana, Tom Stoppard, Brooke Astor, Ghislaine Maxwell, Ronald Harwood, David Frost and an array of the aristocrats of Manhattan and the stately homes of England. All handled, she writes 'with my fatal combination of naivete and self-absorption'. The epic battle with the U.S. justice system leading to the trial and imprisonment of her husband Conrad Black (eventually substantially vindicated) became a litmus paper for sorting out friends from those who were quick to judge and brutal in their dismissal. Friends and Enemies is not a book of vengeance but an attempt to find her own truth: a life that reads like a novel, eloquent, surprising, written with deeply personal candour and utterly un-put-downable. 'This is undoubtedly the autobiography of the decade. Barbara Amiel's searing - and sometimes brutal - honesty, both about herself and others, leaves the reader staggered . . . No-one expected a discreet memoir from Barbara Amiel, but few could possibly have imagined that it would be quite this powerfully, dangerously, profoundly self-revelatory' Andrew Roberts

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SKU: 98662835686

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4.6 ★★★★★
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Kenny of LA
Massapequa, US
★★★★★ 4
Make Sure You Read the Vintage Edition with the Afterword
I initially purchased this book to read for two reasons: First, it was written by William Styron, who wrote the great "Sophie's Choice;" and second, it won a Pulitzer Prize. It was only after I was into the book that I learned that this vintage sixties' book was the subject of a major controversy over the depiction of the title character, Nat Turner. I learned that Styron openly acknowledged fictionalizing large portions of Turner's life, including his motivations for leading the slave revolt. I also learned that Styron's largely fictionalized portrait of Turner outraged many black leaders of the time. Rather than painting Turner (entirely) as a hero, called to action by the injustices of slavery, Styron created a darker picture of a man fixated on religion, a vision of himself as a prophet, and frustrated by lust and desire (particularly, for a young, blond haired white girl). As I read the book, I search my own feelings, and felt that if I were black, I would certainly have objected similarly. We all need our heroes, who become much larger as symbols than they could ever be as people. For the sake of those that come after, such icons are perhaps entitled to be treated with a greater level of sensitivity and care--even at the cost of literary restraint. It is here that the story gets fascinating. After I finished the novel, I read Styron's Afterword. Styron was truly stung by the criticism and in the Afterword, provided an elegant and persuasive defense of his writings. While I will not say that Styron entirely changed my position, he definitely made me see the other side of the argument. The dialogue between Styron and his critics not only allows the reader to consider one of the great social and political issues of our time, but permits the reader a unique insight into the thinking of a great writer--and suffices, in and of itself, as a reason for reading this novel. MAKE SURE YOUR VERSION OF THE NOVEL HAS THIS AFTERWORD. Putting the issue aside as to the real "Nat Turner," the novel itself is beautifully written. The characters are fully developed and believable. The description of the system of slavery and the relationship between whites and blacks feel very real, and very accurate. Styron shows us good and bad of each race, and how all of them are bound by the system of slavery and their actions directly the product of it.
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Reviewed in the United States on September 26, 2008
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Cstro
Belleville, US
★★★★★ 5
I loved this book.
I read this book for my book club and I thought it was beautifully written. It has stayed with me for weeks now. I love when a book does that. I'm glad I wasn't swayed by controversy. I had no problem with the fact that the author was white and using a black voice(maybe because I'm white - but I do like when an author gets the voice right and I thought Styron did that). I didn't understand the charges of racism after reading the book. Sometimes I wonder if, what some people find uncomfortable, they label as racist or sexist or whatever. Anyway, I would encourage everyone to read this book because it gave me a fresh awareness of a huge part of U.S. history, it reminded me that there are always gray areas to consider and it was a great novel. You might think so too.
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Reviewed in the United States on February 8, 2007
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Devin T.
Waukegan, US
★★★★★ 5
great read
I enjoyed this book. As a person who enjoys history this book was a great read for me and the author gives an in depth vision on the trial.
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Reviewed in the United States on September 14, 2023
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John Tailor 2048
San Leandro, US
★★★★★ 3
Nat Turner was NOT happy
I think Mr Styron may have took some liberties with Nat Turner's "orientation" without the research or data to support his opinion.
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Reviewed in the United States on October 20, 2016
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Patricia Posey Cox
Pawtucket, US
★★★★★ 5
A book for the ages...historically concise and horrific at once
William Styron, a gifted writer outdid himself with this book. His concise detail gives us an inside view on the depth of feeling employed by the subject of this book. The book while concise and tender pulls us in as these events take place. As Mailer delves deeper into the mind of Nat Turner, we cannot help but feel a sense of the suffering this man endured and this is what gives us perspective into this tragedy as it unfolds. A compelling masterpiece of literature.
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Reviewed in the United States on December 20, 2012

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